Showing posts with label Travel Destination. Show all posts
Tirta Gangga Water Garden
This water garden was built by the King of Karangasem, Anak Agung Anglurah Ketut Karangasem in 1948. The architecture is the combination of Balinese and Chinese style. It’s located in Ababi village, Abang District, about 83 km from Denpasar and 6 km from Amlapura (the capital city of Karangasem).
Tirta Gangga was originally the bathing and resting place for the king of Karangasem and numerous pools still exist in the complex. In the north of the complex, a large natural spring shoots out of the ground believed to be sacred and directly derived from the River Gangga. It was totally destroyed by the Mount Agung eruption in 1963 and being abandoned for years.
Today after some renovations here-and-there people starts to come (especially the local) while they still use the spring to irrigate the rice fields for the whole region, and for every ceremony local use to take the water from here.
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Tirta Gangga was originally the bathing and resting place for the king of Karangasem and numerous pools still exist in the complex. In the north of the complex, a large natural spring shoots out of the ground believed to be sacred and directly derived from the River Gangga. It was totally destroyed by the Mount Agung eruption in 1963 and being abandoned for years.
Today after some renovations here-and-there people starts to come (especially the local) while they still use the spring to irrigate the rice fields for the whole region, and for every ceremony local use to take the water from here.
Villages of Bali
The idea of balance is central to Balinese philosophy and way of life. Nature and Man meet and complement each other.
The villages are a study in order. Hidden behind the same mud walls, there will be the same red tiles of the same family pavilions with, again thirty meters apart, the same thatched puppet houses: the family temples (sanggah/merajan). Then, there will be a big tree, two slit logs hanging from its branches, with a couple of shrines under its shade and a nearby hall: the banjar (neighbourhood) community hall. An atmosphere of calm, order and collective belonging prevails.
The basic Balinese territorial unit is desa (village), whose surface covers both the wet land of the ricefields, and the dry land of the compounds and related gardens, temples and roads. To the wet land, correspond the irrigation units or subak, and to the dry and inhabited land, the community wards or banjar, each with their temples and organisations.
The Balinese desa (village) is typically host to a set of three village temples, the kahyangan tiga, each related to a focal aspect of the village's symbolic life: the origin with pura puseh (navel temple) located mountainward, where the tutelary gods of the village and its founders are worshipped; the territory itself with the pura desa, located in the centre of the village, where meetings of the village assembly and the rituals of fertility are held; the temple of the ded (pura dalem), located down ward, where the forces of death and the netherworld are worshipped, and near which burials take place. Besides these territorial temples, there is also a temple for each banjar (bedogol or pura banjar), a temple for each subak, and the various temples of the local sub - clans (pura dadia or pura panti), each of which with its own calendar of festivals.
All temples of the kahyangan tiga are of paramount importance in the local rituals. Most ceremonies, at the level of the household or of other local temples, cannot take place before a "notification offering" (pejati) of the kahyangan tiga. The most important though, is arguably the pura desa, or village territorial temple, as evidenced by the honor shown to its god, the Batara Desa, who is usually given the forefront position during the village processions of gods. The village community (desa pekraman) corresponds in practise to the congregation of the pura desa, whatever the other affiliations. It is headed by the bendesa adat.
Much of the ritual work at the village level is shared among the various banjar, for example, one banjar may look after the pura desa for the upcoming festival and another banjar for the next one. Each banjar redistributes the work entrusted to it to its vision of the kelian banjar or neighbourhood headman. No ritual activity can normally take place without the latter's involvement and participation.
The banjar is a grouping of anything between fifty and two hundred individual compounds. The word banjar originally referred to a row of houses, thus to the physical clustering of compounds into a neighborhood, with a temple and a community. Nowadays, most of these banjars have split, and the banjar community is no more strictly territorial. Two banjars can occupy the same territory, and banjar members sometimes live kilometres away from the core of community.
The banjar makes up an association called the "banjar suka duka" or "the association for the sharing of joy and pain" This refers to the function played by the group in the performing of specific social services or work the ayahan within the larger structure of the village (desa). These bonds are arguably the most important of all found in the network of village associations.
The basic social unit of the banjar is the couple (pekurenan). Only married couples are full banjar members and subjected to the banjar rights and obligations. The decisions are taken by the assembly (sangkep) of the banjar's male members, the krama banjar, which usually takes place every 35 days. The decisions are taken on the basis of unanimity, The banjar is now, since 1979, the lowest administrative structure of the national administration, directly under the authority of the perbekel / lurah (supra - village head) and beyond the traditional village headman (bendesa adat). There are also two types of kelian banjar, the kelian dinas, who is in charge of the administrative aspects of the banjar life, and the kelian adat, who looks after the customary aspects in collaboration with the bendesa adat. They usually work hand in hand, unless the two roles are assumed by the same person.
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The villages are a study in order. Hidden behind the same mud walls, there will be the same red tiles of the same family pavilions with, again thirty meters apart, the same thatched puppet houses: the family temples (sanggah/merajan). Then, there will be a big tree, two slit logs hanging from its branches, with a couple of shrines under its shade and a nearby hall: the banjar (neighbourhood) community hall. An atmosphere of calm, order and collective belonging prevails.
The basic Balinese territorial unit is desa (village), whose surface covers both the wet land of the ricefields, and the dry land of the compounds and related gardens, temples and roads. To the wet land, correspond the irrigation units or subak, and to the dry and inhabited land, the community wards or banjar, each with their temples and organisations.
The Balinese desa (village) is typically host to a set of three village temples, the kahyangan tiga, each related to a focal aspect of the village's symbolic life: the origin with pura puseh (navel temple) located mountainward, where the tutelary gods of the village and its founders are worshipped; the territory itself with the pura desa, located in the centre of the village, where meetings of the village assembly and the rituals of fertility are held; the temple of the ded (pura dalem), located down ward, where the forces of death and the netherworld are worshipped, and near which burials take place. Besides these territorial temples, there is also a temple for each banjar (bedogol or pura banjar), a temple for each subak, and the various temples of the local sub - clans (pura dadia or pura panti), each of which with its own calendar of festivals.
All temples of the kahyangan tiga are of paramount importance in the local rituals. Most ceremonies, at the level of the household or of other local temples, cannot take place before a "notification offering" (pejati) of the kahyangan tiga. The most important though, is arguably the pura desa, or village territorial temple, as evidenced by the honor shown to its god, the Batara Desa, who is usually given the forefront position during the village processions of gods. The village community (desa pekraman) corresponds in practise to the congregation of the pura desa, whatever the other affiliations. It is headed by the bendesa adat.
Much of the ritual work at the village level is shared among the various banjar, for example, one banjar may look after the pura desa for the upcoming festival and another banjar for the next one. Each banjar redistributes the work entrusted to it to its vision of the kelian banjar or neighbourhood headman. No ritual activity can normally take place without the latter's involvement and participation.
The banjar is a grouping of anything between fifty and two hundred individual compounds. The word banjar originally referred to a row of houses, thus to the physical clustering of compounds into a neighborhood, with a temple and a community. Nowadays, most of these banjars have split, and the banjar community is no more strictly territorial. Two banjars can occupy the same territory, and banjar members sometimes live kilometres away from the core of community.
The banjar makes up an association called the "banjar suka duka" or "the association for the sharing of joy and pain" This refers to the function played by the group in the performing of specific social services or work the ayahan within the larger structure of the village (desa). These bonds are arguably the most important of all found in the network of village associations.
The basic social unit of the banjar is the couple (pekurenan). Only married couples are full banjar members and subjected to the banjar rights and obligations. The decisions are taken by the assembly (sangkep) of the banjar's male members, the krama banjar, which usually takes place every 35 days. The decisions are taken on the basis of unanimity, The banjar is now, since 1979, the lowest administrative structure of the national administration, directly under the authority of the perbekel / lurah (supra - village head) and beyond the traditional village headman (bendesa adat). There are also two types of kelian banjar, the kelian dinas, who is in charge of the administrative aspects of the banjar life, and the kelian adat, who looks after the customary aspects in collaboration with the bendesa adat. They usually work hand in hand, unless the two roles are assumed by the same person.
Kertha Gosa - Hint of the Greatness of Klungkung Kingdom
If you happen make a visit to Klungkung city, Kertha Gosa constitutes the most prominent tourist object. Historically, Kertha Gosa means a place of discussing anything associated with the security, welfare and justice affairs within the teritory of Bali.
According the chronogram based on Lunar Calculation engraved on the main entrance gate, Kertha paksi-paksi(literally means cakra, crab, bird, bird) that respectively stands for 1, 6, 2 and 2. So, the Kertha Gosa was established in the Saka year 1622 or 1700 AD during I Dewa GDe Jambe ruled the Klungkung kingdom.
The Bali kingdom had reached its golden period in the administration, customary, art and cultural sector when it suceeded to free itself from the status under dominion of Majapahit kingdom (East Java). Majapahit kingdom fell in 1478. At the same time, the kingdom in Bali headquartered at Gelgel. During this era, the Kertha Gosa functioned as a meeting venue of kings from all over Bali. However, after the fall of Klungkung kingdom due to the all out warfare (28 april 1908), the Kertha Gosa functioned as court room of customary and religious affairs.
As a tourist object situated within the heart of the city, the sorroundings of the Kertha Gosa have been equipped with supporting facilities like bus parking lot, art shop, and supermarket and telecommunication services.
Onside you'll find the magnificient Taman Gili building sorrounded by a pond. This building is discernible when you enter the gate. In addition, you can also relish the allure of other objects such as the Semarajaya museum or Main Entrance Gate that continues to stand tenaciously.
The main gate can be interpreted as the largest gate used for entrance and exit. In days of the past, during the kingdom period, it was this main gate that was used as exit and entrance gate for the king. Up to this time, it remains 100% its original condition and has not been renovated yet.
It stands facing the north where it is the same as mountain-ward orientation in Hindu belief representing the sacred place. The Klungkung royal palace is situated right behind the main gate. On the left and right side of the main gate occurs the entry and exit gate, used by or passed through by the chief ministers when accompanying the King. Up to these days, its sacredness stays to be maintained.
At the main gate, there are effigies having a Portuguese look. According to some literatures, those effigies symbolize one of sovereignty forms of the Dutch after it controlled over the Klungkung kingdom. These effigies were made after the Dutch administration conquered the kingdom and denote the triumph of the Dutch.
To show the respect to the remains Klungkung kingdom, every Galungan and Kuningan feast days (once in 210 days), the Klungkung dwellers present some offerings at this place. It means to invoke the safety for the teritory of Klungkung in particular and world in general.
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Besakih Temple
to assemble north, by the astonishing landscapes of Bukit Jambul, goes up more than 900 meters to the top of the slopes of Gunung Agung in Pura Besakih, holiest of all the temples in Bali. It started most probably like sanctuary in prehistoric terrace where the worship and were quoted to the god of Gunung Agung, the element dominating of landscape in the world of Balinese. Above thousand years and moreover, it was increased and added to until it developed in the current complex of approximately 30 temples.
At the 10th century it was apparently a temple of state. According to inscriptions' kept here, an important event took place in the year 1007. If can be only guessed that this was associated ritual of died for the Mahendradatta Queen, the Co-ruier of Udayana which died the previous year. Since the 1 5th century it was the temple of state of the dynasty of Geigel-Kiungkung which built a series of small temples in the honorof itsdeified of the rules. Now it temple of state of isthe for the provincial governments and nationals which deal with all the expenditure. Today, Pura Besakih is venerated by all Balinese like "temple of mother" of Bali.
In the complex of Besakih, the paramount sanctuary is Pura Panataran Agung which raises its merus high on a high bank of the terraces, stages go up from the long point of view to the austere split door. Inside the force the court holds the three-sitted tomb crowning Trisakti, the trinity of Brahma, Visnu and Siwa, during the festivals the tombs are wrapped out of fabric coloured symbolic system of the deity. Important Pura Panataran Agung and two other temples higher to the top of the slope symbolize in the same way Trisakti together. In central Pura Panataran Agung is hung with the white banners for Siwa; towards the line, red banners of vyith of Pura Kiduling Kreteg for Brahma; and Pura Batu Mddeg, towards the left, with the black banners for Visnu. The latter two temples are taken into account near. regencies of Karangasem and Bangli respectively, some other tombs being the responsibility for other regencies. All Bali comes together to Pura Besakih. Religieusement, the unit is symbolized in the padmasana in Pura Panataran Agung, devoted sang Hyang Widdhi, supreme God.
Pura Besakih is most attractive in the times of festival, but it is large and impressing all the times that you go there. The order to the top of the mountain with Besakih, with a stopover in Klungkung to visit the country and to make shopping, takes a full day. To take again the excursion of Bali east, if you remain in Denpasar, it is the best to leave early the morning the next day. By the going beyond by Klungkung before midday, you can choose a site to lunch on the beach or in the shaded countryside and to visit the cave of beater, the villages tshing and Tenganan before Karangasem of attack in the semi one - afternoon. Now that the new road binding Rendang and Karangasem was finished, it is possible to comfortably make in Besakih- Karangaserm the round voyage in day. You can be lucky to arrive in Bali during one moment when the Eastern villages hold of the ceremonies. Festivals, single at these villages, should not be missed, thus to check the calendar of the events to your hotel to find a good time to visit.
Read More...
At the 10th century it was apparently a temple of state. According to inscriptions' kept here, an important event took place in the year 1007. If can be only guessed that this was associated ritual of died for the Mahendradatta Queen, the Co-ruier of Udayana which died the previous year. Since the 1 5th century it was the temple of state of the dynasty of Geigel-Kiungkung which built a series of small temples in the honorof itsdeified of the rules. Now it temple of state of isthe for the provincial governments and nationals which deal with all the expenditure. Today, Pura Besakih is venerated by all Balinese like "temple of mother" of Bali.
In the complex of Besakih, the paramount sanctuary is Pura Panataran Agung which raises its merus high on a high bank of the terraces, stages go up from the long point of view to the austere split door. Inside the force the court holds the three-sitted tomb crowning Trisakti, the trinity of Brahma, Visnu and Siwa, during the festivals the tombs are wrapped out of fabric coloured symbolic system of the deity. Important Pura Panataran Agung and two other temples higher to the top of the slope symbolize in the same way Trisakti together. In central Pura Panataran Agung is hung with the white banners for Siwa; towards the line, red banners of vyith of Pura Kiduling Kreteg for Brahma; and Pura Batu Mddeg, towards the left, with the black banners for Visnu. The latter two temples are taken into account near. regencies of Karangasem and Bangli respectively, some other tombs being the responsibility for other regencies. All Bali comes together to Pura Besakih. Religieusement, the unit is symbolized in the padmasana in Pura Panataran Agung, devoted sang Hyang Widdhi, supreme God.
Pura Besakih is most attractive in the times of festival, but it is large and impressing all the times that you go there. The order to the top of the mountain with Besakih, with a stopover in Klungkung to visit the country and to make shopping, takes a full day. To take again the excursion of Bali east, if you remain in Denpasar, it is the best to leave early the morning the next day. By the going beyond by Klungkung before midday, you can choose a site to lunch on the beach or in the shaded countryside and to visit the cave of beater, the villages tshing and Tenganan before Karangasem of attack in the semi one - afternoon. Now that the new road binding Rendang and Karangasem was finished, it is possible to comfortably make in Besakih- Karangaserm the round voyage in day. You can be lucky to arrive in Bali during one moment when the Eastern villages hold of the ceremonies. Festivals, single at these villages, should not be missed, thus to check the calendar of the events to your hotel to find a good time to visit.
Bedulu Village
Bedulu was once capital of the old Balinese kingdom Pejeng; a long tongue of land between the Petanu and Pakrisan rivers. Today this area is home to some of the most famous and appreciated monuments and relics on Bali, like Yeh Pulu and Goa Gajah. Pejeng was the last kingdom that surrendered to the Majapahit empire from Java, which invaded Bali in 1343. The strong influence of Javanese culture and Hinduism culminated with Majapahit's large escape from Java to Bali in 1515.
According to legends the last king of Pejeng, Sri Aji Asura Bumibanten, had supernatural powers. He could have his own head cut off without pain and later put it back on again. But one time the gods wished to punish him; they made his head roll into the river where it was carried away by the water. The servants panicked, killed a wild boar and put the head of the animal on the king instead. The king was very embarrassed by this and hid himself in a high tower, where he denied anyone to see him. The secret was however discovered by a small child, and the king should be known as "Dalem Bedulu", which means something like "He who changes head". It is this name that supposedly gave name to the Bedulu district. A more scientific, but boring, explanation is that the name Bedulu is derived from "bedaulu", meaning "upstream".
Cleaning and packing of the rice before it is sent to the factory for further processing. The wind blows away leaves and other unwanted elements.The Bedulu village, where a majority of the population make their living from agriculture, is located 26 kilometers north of Denpasar, two km northeast of Goa Gajah along the road to Tampak Siring, not far from Ubud. Bedulu belong to the Gianyar district. The surrounding area is beautiful and fertile with large agricultural areas. It is recommended to hire a guide in Goa Gajah and take a walk along the rice fields to Yeh Pulu, which will take about 2 hours. In addition to lovely rice paddies you will see a beautiful landscape, stone mines and temples. You can always do the trip on your own, but to find the correct paths can be difficult.
500m north of the junction in Bedulu village, along the road to Tampaksiring, sits the Museum Purbakala. This archeological museum contains a collection of pre-Hindu artifacts, like stone axes, copper plates, megaliths, bone decorations and more. Some kilometers further north is the Pejeng village with some famous temples; Pura Kebo Edan, Pura Pusering Jagat and Pura Penataran Sasih.
For a good rice harvest the gods has to be shown proper respect in a rice temple. The temple is used once for every harvest.In Bedulu you can, in addition to Goa Gajah and Yeh Pulu, see the Pura Samuan Tiga temple, probably built by the great sage Mpu Kuturan. The name means "the temple were three parties met", probably a reference to the Hindu trinity or meetings held here in the 9th century. Under the rule of king Udayana and queen Guna Pria Dharma Patni, from year 988 to 1011, there was a lot of rivalry between the religious sects on Bali, which led to instability on the island. Six holy men met at the site of this temple in order to unite all the sects and establish basic laws for the entire island, called "desa adat".
The Pura Samuan Tiga temple is located 200 meters east of the junction in Bedulu village. The buildings were destroyed in an earthquake in 1917, but later rebuilt. The current main gate is designed and built by the great artist I Gusti Nyoman Lempad (see Ubud).
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According to legends the last king of Pejeng, Sri Aji Asura Bumibanten, had supernatural powers. He could have his own head cut off without pain and later put it back on again. But one time the gods wished to punish him; they made his head roll into the river where it was carried away by the water. The servants panicked, killed a wild boar and put the head of the animal on the king instead. The king was very embarrassed by this and hid himself in a high tower, where he denied anyone to see him. The secret was however discovered by a small child, and the king should be known as "Dalem Bedulu", which means something like "He who changes head". It is this name that supposedly gave name to the Bedulu district. A more scientific, but boring, explanation is that the name Bedulu is derived from "bedaulu", meaning "upstream".
Cleaning and packing of the rice before it is sent to the factory for further processing. The wind blows away leaves and other unwanted elements.The Bedulu village, where a majority of the population make their living from agriculture, is located 26 kilometers north of Denpasar, two km northeast of Goa Gajah along the road to Tampak Siring, not far from Ubud. Bedulu belong to the Gianyar district. The surrounding area is beautiful and fertile with large agricultural areas. It is recommended to hire a guide in Goa Gajah and take a walk along the rice fields to Yeh Pulu, which will take about 2 hours. In addition to lovely rice paddies you will see a beautiful landscape, stone mines and temples. You can always do the trip on your own, but to find the correct paths can be difficult.
500m north of the junction in Bedulu village, along the road to Tampaksiring, sits the Museum Purbakala. This archeological museum contains a collection of pre-Hindu artifacts, like stone axes, copper plates, megaliths, bone decorations and more. Some kilometers further north is the Pejeng village with some famous temples; Pura Kebo Edan, Pura Pusering Jagat and Pura Penataran Sasih.
For a good rice harvest the gods has to be shown proper respect in a rice temple. The temple is used once for every harvest.In Bedulu you can, in addition to Goa Gajah and Yeh Pulu, see the Pura Samuan Tiga temple, probably built by the great sage Mpu Kuturan. The name means "the temple were three parties met", probably a reference to the Hindu trinity or meetings held here in the 9th century. Under the rule of king Udayana and queen Guna Pria Dharma Patni, from year 988 to 1011, there was a lot of rivalry between the religious sects on Bali, which led to instability on the island. Six holy men met at the site of this temple in order to unite all the sects and establish basic laws for the entire island, called "desa adat".
The Pura Samuan Tiga temple is located 200 meters east of the junction in Bedulu village. The buildings were destroyed in an earthquake in 1917, but later rebuilt. The current main gate is designed and built by the great artist I Gusti Nyoman Lempad (see Ubud).
Candi Dasa Beach
A tidy, well-kept, three-km-long European (mostly Italian, French, and Scandinavian) tourist retreat. For many visitors, Candidasa is the perfect blend, everything one would want in a seaside resort-reasonable accommodations, variegated dining, interesting sea sports, warm-water bathing, tranquil nights.
It is a slow and friendly place, where you can pass the hours with locals on the streets and beaches, or find someone to take you fishing, snorkeling or gambling. Walk, read, soak up the sun, and let the crickets and crashing surf lull you to sleep each night.
Candidasa also makes an excellent base for trips to all over east Bali: Tirtagangga, Kusamba, Goa Lawah, Klungkung, Bangli, and eastern mountain towns like Putung and Iseh. For a scenic land tour, rent bicycles or simply walk the gorgeous hill country above town. Visit nearby Tenganan to shop, and for a fascinating look at the ancient rituals of a traditional society.
The name Candidasa is derived from 'Cilidasa' meaning 'Ten Children.' A shrine in the eastern part of the village, on a hillside under a cliff, looking out over a spring-fed lotus lagoon emptying into the sea, was founded in the 11th century. At street level is a statue of the giantess Hariti, a fertility goddess, surrounded by her many children.
Childless couples often come to the temple seeking help from this goddess. A long flight of steps leads to the upper level of the temple, which contains an old 'linga'. Its 10-tiered gateway is one of the few instances of an even-number employed in religious architecture.
On the beach, there is a tide, just like on a normal beach. At high tide predatory waves pound the seawall, chasing beachcombers to higher ground. At low tide, the beach west of the lagoon is only eight meters wide and you can walk as far as 50 meters on the shelf (wear sneakers) and observe rock pools and reef life. During all but the rainy season, the water is crystal clear. Cement walkways and sitting pavilions surround the inland lagoon at the east end of town-the beautiful lagoon, with its tepid water, is also the village bath.
To prevent further erosion, huge horrendous T-shaped concrete breakwaters were built. Because the currents caused by these stone piers are unpredictable, swimming is not advisable. Sunbathing is best on the seawall. Take in views of the rocky Batu Manggar islet offshore, the lighthouse off Padangbai's headland, the looming island of Nusa Penida, and neighboring Lombok. Watch the wind and rain chase fishing craft across the sea. On calm days you can swim out past where the waves break, over the fringing reef about one-quarter km.
Offshore Islands
Candidasa's offshore islands, only 30-45 minutes by boat, offer incredible snorkeling. Off southwest Candidasa, the tiny outcrop of Pulau Kambing-also called Pulau Tepekong-has magnificent coral reefs frequented by a startling array of fish in every size, shape, and color, including small, harmless reef and white-tip sharks.
The island, which measures only 50 by 100 meters, has very steep sides, with no beaches. The water is clear, with visibility up to 10 meters; first-class skin-diving. The northern end of the island is generally shallow, with the top of a southwest sloping wall starting at a depth of 10 meters.
The east end of the island contains many caves, submerged pinnacles, and table coral. The south side is deeper, the top of the reef beginning at about 22 meters. The best section is known as The Canyon, lined with giant boulders, plunging to a depth of more than 30 meters.
Because of the strong downward pull of the current, it's been nicknamed The Toilet. The best time to go is early in the morning when the water is clear and there's little wind. An offering on the beach to the gods is a prerequisite before setting off. Hire a motorized 'jukung'; once you clear the fringing reef it's only a 15-minute ride.
Two other islands in the western side of Amuk Bay are Pulau Biaha (also called Likuan) and Gili Mimpang (also Batu Tiga or Three Rocks)-both present difficult conditions to even experienced divers. There are sharks around, the water is cold, the underwater currents are strong and unpredictable, and waves crashing into the islands create an undertow. Best to go only with professional divers who've been there before. Excellent snorkeling in the vicinity.
One of the best-kept secrets of eastern Bali is brilliant Pasir Putih, 500-meter-long white-sand beach to the northeast. Ask a fisherman in Sumuh village (east of Candidasa) to take you there, or take a 'bemo' to Perasi where a path leads past 'sawah' to the coast. After 2.5 kilometers, you reach a small temple where the path forks. The left takes you to several black-sand beaches, while the right takes you down through coconut groves to Pasir Putih. Great views of rocky headlands and offshore islands.
Organized trips are best in Candidasa's often-dangerous waters. For instance, a fisherman will take you out just 30 minutes to see dolphins leaping and swimming-surrounding you. Good swordfish (lumba-lumba) fishing, too. Out at sea, it's an impressive view of the hills and Gunung Agung behind Candidasa.
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It is a slow and friendly place, where you can pass the hours with locals on the streets and beaches, or find someone to take you fishing, snorkeling or gambling. Walk, read, soak up the sun, and let the crickets and crashing surf lull you to sleep each night.
Candidasa also makes an excellent base for trips to all over east Bali: Tirtagangga, Kusamba, Goa Lawah, Klungkung, Bangli, and eastern mountain towns like Putung and Iseh. For a scenic land tour, rent bicycles or simply walk the gorgeous hill country above town. Visit nearby Tenganan to shop, and for a fascinating look at the ancient rituals of a traditional society.
The name Candidasa is derived from 'Cilidasa' meaning 'Ten Children.' A shrine in the eastern part of the village, on a hillside under a cliff, looking out over a spring-fed lotus lagoon emptying into the sea, was founded in the 11th century. At street level is a statue of the giantess Hariti, a fertility goddess, surrounded by her many children.
Childless couples often come to the temple seeking help from this goddess. A long flight of steps leads to the upper level of the temple, which contains an old 'linga'. Its 10-tiered gateway is one of the few instances of an even-number employed in religious architecture.
On the beach, there is a tide, just like on a normal beach. At high tide predatory waves pound the seawall, chasing beachcombers to higher ground. At low tide, the beach west of the lagoon is only eight meters wide and you can walk as far as 50 meters on the shelf (wear sneakers) and observe rock pools and reef life. During all but the rainy season, the water is crystal clear. Cement walkways and sitting pavilions surround the inland lagoon at the east end of town-the beautiful lagoon, with its tepid water, is also the village bath.
To prevent further erosion, huge horrendous T-shaped concrete breakwaters were built. Because the currents caused by these stone piers are unpredictable, swimming is not advisable. Sunbathing is best on the seawall. Take in views of the rocky Batu Manggar islet offshore, the lighthouse off Padangbai's headland, the looming island of Nusa Penida, and neighboring Lombok. Watch the wind and rain chase fishing craft across the sea. On calm days you can swim out past where the waves break, over the fringing reef about one-quarter km.
Offshore Islands
Candidasa's offshore islands, only 30-45 minutes by boat, offer incredible snorkeling. Off southwest Candidasa, the tiny outcrop of Pulau Kambing-also called Pulau Tepekong-has magnificent coral reefs frequented by a startling array of fish in every size, shape, and color, including small, harmless reef and white-tip sharks.
The island, which measures only 50 by 100 meters, has very steep sides, with no beaches. The water is clear, with visibility up to 10 meters; first-class skin-diving. The northern end of the island is generally shallow, with the top of a southwest sloping wall starting at a depth of 10 meters.
The east end of the island contains many caves, submerged pinnacles, and table coral. The south side is deeper, the top of the reef beginning at about 22 meters. The best section is known as The Canyon, lined with giant boulders, plunging to a depth of more than 30 meters.
Because of the strong downward pull of the current, it's been nicknamed The Toilet. The best time to go is early in the morning when the water is clear and there's little wind. An offering on the beach to the gods is a prerequisite before setting off. Hire a motorized 'jukung'; once you clear the fringing reef it's only a 15-minute ride.
Two other islands in the western side of Amuk Bay are Pulau Biaha (also called Likuan) and Gili Mimpang (also Batu Tiga or Three Rocks)-both present difficult conditions to even experienced divers. There are sharks around, the water is cold, the underwater currents are strong and unpredictable, and waves crashing into the islands create an undertow. Best to go only with professional divers who've been there before. Excellent snorkeling in the vicinity.
One of the best-kept secrets of eastern Bali is brilliant Pasir Putih, 500-meter-long white-sand beach to the northeast. Ask a fisherman in Sumuh village (east of Candidasa) to take you there, or take a 'bemo' to Perasi where a path leads past 'sawah' to the coast. After 2.5 kilometers, you reach a small temple where the path forks. The left takes you to several black-sand beaches, while the right takes you down through coconut groves to Pasir Putih. Great views of rocky headlands and offshore islands.
Organized trips are best in Candidasa's often-dangerous waters. For instance, a fisherman will take you out just 30 minutes to see dolphins leaping and swimming-surrounding you. Good swordfish (lumba-lumba) fishing, too. Out at sea, it's an impressive view of the hills and Gunung Agung behind Candidasa.
Perancak Temple
From Rambut Siwi coming one folows the signpost. Briefly before Delodberawah a statue with a crocodile stand in the cemter of the road. Crocodile is a landmark of Jembrana.
In the small fishing village Perancak is located beautiful sea Temple Pura Gede Perancak. Here is before many centuries hired Dang Hyang Nirartha, which crossed Bali. The Temple is at present again reconditioned. An oblong pond frames the rear part of the temple and its road turned side harmoniously.
At the present of Nirartha's arrival became the area around Perancak of Gusti Ngurah Rangsasa controlled. This led a out Curving, viceful live. It forced the pious Man to pray in it;s temple for it. Follows as Nirartha of its demand wanted, the temple itself broken down. Gusti Ngurah Rangsasa seized there upon it frightened the escape. the village inhabitants built the Temple and dedicated it Hyang Nirartha and its teaching hired.
Once a year in July here, the traditional Harvest Thanks Celebration, fischer instead of, which is framed by Gamelam (balinese traditional music) and Balinese Dances.
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In the small fishing village Perancak is located beautiful sea Temple Pura Gede Perancak. Here is before many centuries hired Dang Hyang Nirartha, which crossed Bali. The Temple is at present again reconditioned. An oblong pond frames the rear part of the temple and its road turned side harmoniously.
At the present of Nirartha's arrival became the area around Perancak of Gusti Ngurah Rangsasa controlled. This led a out Curving, viceful live. It forced the pious Man to pray in it;s temple for it. Follows as Nirartha of its demand wanted, the temple itself broken down. Gusti Ngurah Rangsasa seized there upon it frightened the escape. the village inhabitants built the Temple and dedicated it Hyang Nirartha and its teaching hired.
Once a year in July here, the traditional Harvest Thanks Celebration, fischer instead of, which is framed by Gamelam (balinese traditional music) and Balinese Dances.
Melanting Temple at North West Bali
This is another beautiful temple located at North Bali, somewhere in the Pulaki village. If you travel from Denpasar, you will arrive in three hours. If you go to the west via Negara ( a town in West Bali) you will pass the Bali Barat National Park which is ideal trekking place.
Another tourist spot is Labuan Lalang, which located close to Menjangan Island, a popular diving site. The Melanting temple is located further north. You actually need to go away from the normal route to reach the temple. If you stay at Matahari Resort at Pemuteran village, you can tour around in nearby villages such as Pulaki Temple and Melanting Temple.
Many Balinese visit this temple especially traders as the Goddess Melanting is popular among the Balinese traders as the one to turn for good trade. Although it is popular among traders, all the Balinese, regardless of their profession actually can go to this temple. The god or goddess is merely a manifestation of the One Almighty God. And because of His function, The God is called by different names.
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Another tourist spot is Labuan Lalang, which located close to Menjangan Island, a popular diving site. The Melanting temple is located further north. You actually need to go away from the normal route to reach the temple. If you stay at Matahari Resort at Pemuteran village, you can tour around in nearby villages such as Pulaki Temple and Melanting Temple.
Many Balinese visit this temple especially traders as the Goddess Melanting is popular among the Balinese traders as the one to turn for good trade. Although it is popular among traders, all the Balinese, regardless of their profession actually can go to this temple. The god or goddess is merely a manifestation of the One Almighty God. And because of His function, The God is called by different names.
Nusa Penida
Once known as the Siberia of Bali, Nusa Penida was formerly a penitentiary island of banishment for criminals, undesirables, and political agitators fleeing the harsh and unyielding reign of the Gelgel dynasty.
The people have their own 'adat', dances, puppetry, weaving arts, and architecture. The dour and cheerless people of the central plateau live in austere one-room huts built of jagged limestone blocks, surrounded by rustic stables, storage sheds, the family shrine (sanggah), and terraced dry fields.
Most festivals and religious events are devoted to appeasing, deceiving, or exorcising the black-faced demon-king Jero Gede Mecaling and his white-skinned wife Jero Luh. Personified in giant puppets (barong landung), these terrifying deities dance and strut through village streets at festival times. Another popular exorcist dance is sanghyang jaran, held during times of catastrophe in the Sakti area of west Nusa Penida.
Dance costumes, body ornaments, and gestures are less elaborate than on Bali. In Cemulik (near Sakti) and Pelilit (in the southeast), the 'gandrung' is performed on Purnama, Tilem, and Kajeng Kliwon. In this dance two adolescent boys dress as women. The group 'baris gede' dance is staged during 'odalan' at Batunuggul, and the archaic 'baris pati' is performed in graveyards during cremations, and the 'baris jangkang' is occasionally trotted out to welcome officials to Sekartaji.
Nusa Penida's most lucrative export is edible seaweed, grown in submarine pens along the northwest and northeast coasts, off Nusa Lembongan and in the channel between Nusa Lembongan and Nusa Ceningan. After drying on the beach and along the roads the seaweed is exported to Hong Kong for processing into agar, a thickening agent used in cooking, and carrageenan used in cosmetics and in crackers, sauces, condiments, and other food products.
A small-scale fishing industry catches mostly sardines and Bali's largest and most succulent lobsters. On the south coast fishermen descend paths to the sea, where they fish from platforms protruding from the sheer cliff walls.
Road from Batumadeg takes you across a plateau for seven km to Batukandik, which possesses 'male' and 'female' shrines. This unique temple also has a prehistoric stone altar, a heavily eroded woman with enormous breasts supports a stone throne on her head, two roosters standing on her shoulders. The Holy Forest of Sahab hides a temple, said to be the exit of a mythical tunnel connecting Bali with Nusa Penida. The hole apparently starts in Pejeng.
Water Sport
As a dive and snorkeling locale, Nusa Penida is at least as spectacular as Bunaken in North Sulawesi. But it's a long and expensive ride, and, once there, cold, strong, unpredictable swells and currents up to four or more knots make conditions challenging and even hazardous. Not the place for beginners.
No dive operators exist on Nusa Penida so finding a well-organized dive outfit on Bali, a knowledgeable guide with plenty of experience in the area, a reliable craft, skilled boatmen, and a good engine are all necessities. The best dive sites, in the channel between Nusa Penida and Nusa Ceningan, are close together and you can move to alternate locations as conditions dictate.
Two of the most convenient sites lie off the 'dermaga' east of Toyapekeh. Fish life, particularly pelagic, tuna, jacks, and reef sharks are common; manta rays collect on the southwest end of the island. The variety of coral along the drop-offs and steep slopes is incredibly rich, but because of deep upwelling the water can be uncomfortably cold, dropping to below 19° C during the Balinese winter. Visibility, up to 15 meters, is quite good.
Crafts
Nusa Penida's weaving style is called 'tenun Bali ikat cagcag', or by the local names 'cepuk' or 'capuk'. Goods are woven by hand on backstrap looms in the plateau villages of Tanglad and Karang. Distinctive blood-red, brown, and yellow traditional cloths with plaid and rough checkered designs are worn by participants in life-cycle ceremonies. The per meter price depends on the quality of the material and the intricacy of the design.
Getting There
Kusamba is a small Muslim fishing village on the southeast coast of Bali, a six-km bemo ride east of Klungkung. Turn in at Jalan Pasir Putih about 1.5 km east of the town of Kusamba and walk 500 meters to Banjar bias, where you'll see small, bullish outboard-powered outriggers taking on cargo. Boats usually leave twice daily, but only when there are enough passengers.
Another departure point, preferred by Nusa Penida residents, is from Kampung Kusamba about 100 meters from the 'pasar'. These motorized outriggers carry passengers to, among other places, Toyapakeh on Nusa Penida. Make sure you're on the right boat. The 10-km passage takes 45 minutes to one hour, depending on the wind and the choppiness of the water. When you arrive in Toyapakeh, there are frequent bemo to Sampalan. Boats must return to Kusamba by 1400.
From Padangbai the charge is the same. Buy your ticket in the 'loket' to the north of the main Lombok ferry ticket office. The first express ferry departs at around 0630, but you have to wait for it to fill up. And you might wait awhile, what with its 45-passenger capacity.
The crossing takes just 30 minutes, docking at Buyuk just east of Toyapakeh. From there you can hop a bemo east into Sampalan. From Jungut Batu on the northwest coast of the neighboring island of Nusa Lembongan, small 'jukung motor' shoots over to Nusa Penida (45 minutes). Landing at the charming fishing village of Toyapakeh.
'Perahu' sail from Sanur to Toyapakeh (25 km, 1.25 hours) very early in the morning. Check out the day cruises offered by Bali International Yacht Club, tel. 62361-288391, in Sanur, Bali Intan Tours and Travel, tel. 62361-752005 or 752985 in Tuban, and many other outfits that visit the south coast of Nusa Penida. The charge includes free transport to the boat, drinks, packed lunch or Indonesian buffet, and fishing and snorkeling equipment.
Getting Around
Roads cover the island. Good roads run from Toyapakeh to Sampalan and on to Karangsari, and from Toyapekeh to Klumpu. The roads from Klumpu to Batumadeg, Tanglad, and Pejukutan are winding and bumpy but asphalted and traversable. Because of the island's rocky, undulating topography, only motorcycles, trucks, or tough canopied bemo can manage the bumpy, dusty roads of the outlying areas.
Bemo run irregularly between the main villages, connecting north coast towns and inland settlements. From Sampalan, 'bemo' begin carrying passengers out to the villages early in the morning, but by the afternoon the terminal is all but empty.
The best way to get around quickly is by motorcycle. As soon as you get off the boat at Buyuk or wander into the Sampalan terminal you'll be approached by motorcycle owners or drivers. You can either drive or be driven. It's cheaper to drive yourself, though the drivers know all the best places, can introduce you to people, and speak better Indonesian.
Expect a per diem price reduction if you take the motorbike for more than a day. Or wait a few days to meet someone, and convince a newfound local friend to drive you around for free (give a 'donation' to his younger siblings afterwards). Make sure your rental agreement makes it clear who pays for gas and oil.
Try to negotiate a free drop-off at your embarkation point back to Bali or Nusa Lembongan. Two good, cautious drivers are recommended: Nyoman Soma Arsana, who can be contacted by telephone through the Kantor Camat (tel. 62366-231.885), and Made Latoni, at Banjar Sental Kawan, Desa Ped.
Getting Away
Take boats to Padangbai (30 minutes) and Sanur (1.25 hours) from Buyuk, one km east of Toyapakeh. Get there by 0700 to buy your ticket at the Departemen Perhubungan office near the pier. Each boat holds about 30 people. If there are enough passengers, a boat sometimes leaves for Padangbai in the afternoon.
From Mentigi Harbor, one km west of Sampalan, hire boats to Banjarbias, then a bemo into Kusamba where other bemo pass by to Amlapura or Klungkung. The Balinese operate an organized transport cartel that fixes all fares to and from Bali-and there's really no way around it if your skin is white. To their credit, most boats offer life-jackets, hard wooden benches, and double 85 hp outboards.
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The people have their own 'adat', dances, puppetry, weaving arts, and architecture. The dour and cheerless people of the central plateau live in austere one-room huts built of jagged limestone blocks, surrounded by rustic stables, storage sheds, the family shrine (sanggah), and terraced dry fields.
Most festivals and religious events are devoted to appeasing, deceiving, or exorcising the black-faced demon-king Jero Gede Mecaling and his white-skinned wife Jero Luh. Personified in giant puppets (barong landung), these terrifying deities dance and strut through village streets at festival times. Another popular exorcist dance is sanghyang jaran, held during times of catastrophe in the Sakti area of west Nusa Penida.
Dance costumes, body ornaments, and gestures are less elaborate than on Bali. In Cemulik (near Sakti) and Pelilit (in the southeast), the 'gandrung' is performed on Purnama, Tilem, and Kajeng Kliwon. In this dance two adolescent boys dress as women. The group 'baris gede' dance is staged during 'odalan' at Batunuggul, and the archaic 'baris pati' is performed in graveyards during cremations, and the 'baris jangkang' is occasionally trotted out to welcome officials to Sekartaji.
Nusa Penida's most lucrative export is edible seaweed, grown in submarine pens along the northwest and northeast coasts, off Nusa Lembongan and in the channel between Nusa Lembongan and Nusa Ceningan. After drying on the beach and along the roads the seaweed is exported to Hong Kong for processing into agar, a thickening agent used in cooking, and carrageenan used in cosmetics and in crackers, sauces, condiments, and other food products.
A small-scale fishing industry catches mostly sardines and Bali's largest and most succulent lobsters. On the south coast fishermen descend paths to the sea, where they fish from platforms protruding from the sheer cliff walls.
Road from Batumadeg takes you across a plateau for seven km to Batukandik, which possesses 'male' and 'female' shrines. This unique temple also has a prehistoric stone altar, a heavily eroded woman with enormous breasts supports a stone throne on her head, two roosters standing on her shoulders. The Holy Forest of Sahab hides a temple, said to be the exit of a mythical tunnel connecting Bali with Nusa Penida. The hole apparently starts in Pejeng.
Water Sport
As a dive and snorkeling locale, Nusa Penida is at least as spectacular as Bunaken in North Sulawesi. But it's a long and expensive ride, and, once there, cold, strong, unpredictable swells and currents up to four or more knots make conditions challenging and even hazardous. Not the place for beginners.
No dive operators exist on Nusa Penida so finding a well-organized dive outfit on Bali, a knowledgeable guide with plenty of experience in the area, a reliable craft, skilled boatmen, and a good engine are all necessities. The best dive sites, in the channel between Nusa Penida and Nusa Ceningan, are close together and you can move to alternate locations as conditions dictate.
Two of the most convenient sites lie off the 'dermaga' east of Toyapekeh. Fish life, particularly pelagic, tuna, jacks, and reef sharks are common; manta rays collect on the southwest end of the island. The variety of coral along the drop-offs and steep slopes is incredibly rich, but because of deep upwelling the water can be uncomfortably cold, dropping to below 19° C during the Balinese winter. Visibility, up to 15 meters, is quite good.
Crafts
Nusa Penida's weaving style is called 'tenun Bali ikat cagcag', or by the local names 'cepuk' or 'capuk'. Goods are woven by hand on backstrap looms in the plateau villages of Tanglad and Karang. Distinctive blood-red, brown, and yellow traditional cloths with plaid and rough checkered designs are worn by participants in life-cycle ceremonies. The per meter price depends on the quality of the material and the intricacy of the design.
Getting There
Kusamba is a small Muslim fishing village on the southeast coast of Bali, a six-km bemo ride east of Klungkung. Turn in at Jalan Pasir Putih about 1.5 km east of the town of Kusamba and walk 500 meters to Banjar bias, where you'll see small, bullish outboard-powered outriggers taking on cargo. Boats usually leave twice daily, but only when there are enough passengers.
Another departure point, preferred by Nusa Penida residents, is from Kampung Kusamba about 100 meters from the 'pasar'. These motorized outriggers carry passengers to, among other places, Toyapakeh on Nusa Penida. Make sure you're on the right boat. The 10-km passage takes 45 minutes to one hour, depending on the wind and the choppiness of the water. When you arrive in Toyapakeh, there are frequent bemo to Sampalan. Boats must return to Kusamba by 1400.
From Padangbai the charge is the same. Buy your ticket in the 'loket' to the north of the main Lombok ferry ticket office. The first express ferry departs at around 0630, but you have to wait for it to fill up. And you might wait awhile, what with its 45-passenger capacity.
The crossing takes just 30 minutes, docking at Buyuk just east of Toyapakeh. From there you can hop a bemo east into Sampalan. From Jungut Batu on the northwest coast of the neighboring island of Nusa Lembongan, small 'jukung motor' shoots over to Nusa Penida (45 minutes). Landing at the charming fishing village of Toyapakeh.
'Perahu' sail from Sanur to Toyapakeh (25 km, 1.25 hours) very early in the morning. Check out the day cruises offered by Bali International Yacht Club, tel. 62361-288391, in Sanur, Bali Intan Tours and Travel, tel. 62361-752005 or 752985 in Tuban, and many other outfits that visit the south coast of Nusa Penida. The charge includes free transport to the boat, drinks, packed lunch or Indonesian buffet, and fishing and snorkeling equipment.
Getting Around
Roads cover the island. Good roads run from Toyapakeh to Sampalan and on to Karangsari, and from Toyapekeh to Klumpu. The roads from Klumpu to Batumadeg, Tanglad, and Pejukutan are winding and bumpy but asphalted and traversable. Because of the island's rocky, undulating topography, only motorcycles, trucks, or tough canopied bemo can manage the bumpy, dusty roads of the outlying areas.
Bemo run irregularly between the main villages, connecting north coast towns and inland settlements. From Sampalan, 'bemo' begin carrying passengers out to the villages early in the morning, but by the afternoon the terminal is all but empty.
The best way to get around quickly is by motorcycle. As soon as you get off the boat at Buyuk or wander into the Sampalan terminal you'll be approached by motorcycle owners or drivers. You can either drive or be driven. It's cheaper to drive yourself, though the drivers know all the best places, can introduce you to people, and speak better Indonesian.
Expect a per diem price reduction if you take the motorbike for more than a day. Or wait a few days to meet someone, and convince a newfound local friend to drive you around for free (give a 'donation' to his younger siblings afterwards). Make sure your rental agreement makes it clear who pays for gas and oil.
Try to negotiate a free drop-off at your embarkation point back to Bali or Nusa Lembongan. Two good, cautious drivers are recommended: Nyoman Soma Arsana, who can be contacted by telephone through the Kantor Camat (tel. 62366-231.885), and Made Latoni, at Banjar Sental Kawan, Desa Ped.
Getting Away
Take boats to Padangbai (30 minutes) and Sanur (1.25 hours) from Buyuk, one km east of Toyapakeh. Get there by 0700 to buy your ticket at the Departemen Perhubungan office near the pier. Each boat holds about 30 people. If there are enough passengers, a boat sometimes leaves for Padangbai in the afternoon.
From Mentigi Harbor, one km west of Sampalan, hire boats to Banjarbias, then a bemo into Kusamba where other bemo pass by to Amlapura or Klungkung. The Balinese operate an organized transport cartel that fixes all fares to and from Bali-and there's really no way around it if your skin is white. To their credit, most boats offer life-jackets, hard wooden benches, and double 85 hp outboards.
Tanjung Benoa
Located north of Nusa Dua, this is a beautiful white sand beach area where visitors can enjoy many types of water recreation and sports such as snorkeling, parasailing, diving, boating, sailing, glass bottom boating and more. This area is an extension of Nusa Dua Resort, with easy access to its luxurious hotels and other tourism facilities.
The beach is renowned for its calm clear waters, ideal for swimming and snorkelling, whilst the outer reefs are great for surfing. Being fairly isolated and some 30 to 40 minutes drive to Kuta, the region is removed from the frantic pace of Kuta and subsequently free from the crowds.
Whilst the atmosphere is relaxed, you will not be short of things to do and the Galleria shopping complex will keep you occupied for hours.
Once upon a time, the Balinese giant and master builder Kebo Iwa decided that the Tanjung Benoa marshes should be transformed into rice fields, so he went to the Bukit and picked up two scoops of earth. While shouldering them along the coast, his pole broke, dropping the earth into the sea. Two islets appeared: the "Nusa Dua."
The marshes were never to become rice fields the bay remained a bay with a long cape, Tanjung Benoa, jutting into it. Nevertheless, Kebo Iwa, who created the area, is now engaged in a new venture - luxury hotel development.
Making Nusa Dua into a tourist paradise was a consciously implemented government policy, designed with the help of the World Bank. Two main concepts underlay the project: to develop an up-market tourist resort, beautiful, secure, easy of access, with the most modern facilities, while keeping the disruptive impact on the local environment as low as possible.
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The beach is renowned for its calm clear waters, ideal for swimming and snorkelling, whilst the outer reefs are great for surfing. Being fairly isolated and some 30 to 40 minutes drive to Kuta, the region is removed from the frantic pace of Kuta and subsequently free from the crowds.
Whilst the atmosphere is relaxed, you will not be short of things to do and the Galleria shopping complex will keep you occupied for hours.
Once upon a time, the Balinese giant and master builder Kebo Iwa decided that the Tanjung Benoa marshes should be transformed into rice fields, so he went to the Bukit and picked up two scoops of earth. While shouldering them along the coast, his pole broke, dropping the earth into the sea. Two islets appeared: the "Nusa Dua."
The marshes were never to become rice fields the bay remained a bay with a long cape, Tanjung Benoa, jutting into it. Nevertheless, Kebo Iwa, who created the area, is now engaged in a new venture - luxury hotel development.
Making Nusa Dua into a tourist paradise was a consciously implemented government policy, designed with the help of the World Bank. Two main concepts underlay the project: to develop an up-market tourist resort, beautiful, secure, easy of access, with the most modern facilities, while keeping the disruptive impact on the local environment as low as possible.
Beautiful Ubud For Your Bali Vacation
What is it about Ubud that one should visit this beautiful village? Because Ubud has much to offer; from its stunning panorama of Ayung River valley and the terraces rice filed, its most talented artist, its typical traditional market and myriad of shops that line the road is a heaven for shopping, its undying culture, its serene environs and plentiful of nice small hotels and restaurants and many more.
Ubud has no great beaches to speak of, no mountain lakes, and no grand hotels. Yet it has the richness of soil and it is the center of Bali’s art and culture. If you don’t stay in Ubud, or you don’t have much time during your Bali Holiday, a visit is worth because it would offer you a memorable stay in Bali.
Driving out of bustling Denpasar, the tranquil green of rice paddies contrast sharply with the boisterous sounds of the city. Palm-leaf carvings of Dewi Sri (the Rice Goddess) guards over the crops, and small thatch huts dot the rice fields, giving shade to those who work them. Temples and small shrines can be seen along the way, women lay out offerings of flowers, rice, incense and holy water to placate evils spirits and please the good one. Even with the great influx of tourism, village life basically goes on the same. Almost every village on the way up to Ubud specializes in some kind of art form. You can stop off and see the artisans at work in their studios.
Many places near Ubud make beautiful side trips. Morning walk through the villages lead to out-of-the-way retreats. The route to Tegalalang offer beautiful views of terraces rice field and myriad of art studios, Mas, Penestanan and Peliatan, the centers of wood carving and painting, Sayan offer a stunning panorama of Ayung River valley and still home to spectacular view of gorges and palms and rice fields. Campuhan , the place where three rivers meet – a sacred site. There is a very beautiful temple called Pura Gunung Lebah is worth a visit.
To the north is Petulu village is known for many things but the most spectacular is the kokokan or white herons. Every morning at dawn and the afternoon around three or four o’clock, you can see them circling the trees in droves.
To the south a short walk you will arrive at Monkey Forest. To visit it, one must by a ticket. There are hundreds of tame monkeys and a temple stands in the middle of the forest. In the center of town the interesting places to see are the Puri (the court of palace of former kings), here every Sunday morning at 10 o’clock dozen of young girls study traditional Balinese dance. Ubud main market just opposite the Puri offer varieties of merchandises; Produce, dry goods, linens, T-shirts, paintings, wood carvings, even traveling medicine men appear here. Closed to market you can visit Puri Lukisan (Museum of Paintings). Established in 1954, it is dedicated to showing the works of local painters. It is the excellent place to get an overview of the stylistic differences between artists.
Ubud is a picturesque township and visitors have been attracted by its charm and beauty for decades. If shopping is your interest, Ubud has a myriad of shops which line the road to Monkey Forest and the Museum Puri Lukisan. Don’t forget to bargain!!! If art is your interest, in Ubud, Mas and Peliatan, one can study dance, music, painting or a number of other art forms. The best way to meet a teacher is to find a style that appeal to you (by going to galleries and watching performances) and than approach the artist directly about lessons.
So Ubud has many attractive objects can be seen for your Bali Vacation. And do not hesitate to choose beautiful Bali for your holiday. Bali is a small, beautiful island in Indonesia, the ultimate tourist destination in Asia.
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Ubud has no great beaches to speak of, no mountain lakes, and no grand hotels. Yet it has the richness of soil and it is the center of Bali’s art and culture. If you don’t stay in Ubud, or you don’t have much time during your Bali Holiday, a visit is worth because it would offer you a memorable stay in Bali.
Driving out of bustling Denpasar, the tranquil green of rice paddies contrast sharply with the boisterous sounds of the city. Palm-leaf carvings of Dewi Sri (the Rice Goddess) guards over the crops, and small thatch huts dot the rice fields, giving shade to those who work them. Temples and small shrines can be seen along the way, women lay out offerings of flowers, rice, incense and holy water to placate evils spirits and please the good one. Even with the great influx of tourism, village life basically goes on the same. Almost every village on the way up to Ubud specializes in some kind of art form. You can stop off and see the artisans at work in their studios.
Many places near Ubud make beautiful side trips. Morning walk through the villages lead to out-of-the-way retreats. The route to Tegalalang offer beautiful views of terraces rice field and myriad of art studios, Mas, Penestanan and Peliatan, the centers of wood carving and painting, Sayan offer a stunning panorama of Ayung River valley and still home to spectacular view of gorges and palms and rice fields. Campuhan , the place where three rivers meet – a sacred site. There is a very beautiful temple called Pura Gunung Lebah is worth a visit.
To the north is Petulu village is known for many things but the most spectacular is the kokokan or white herons. Every morning at dawn and the afternoon around three or four o’clock, you can see them circling the trees in droves.
To the south a short walk you will arrive at Monkey Forest. To visit it, one must by a ticket. There are hundreds of tame monkeys and a temple stands in the middle of the forest. In the center of town the interesting places to see are the Puri (the court of palace of former kings), here every Sunday morning at 10 o’clock dozen of young girls study traditional Balinese dance. Ubud main market just opposite the Puri offer varieties of merchandises; Produce, dry goods, linens, T-shirts, paintings, wood carvings, even traveling medicine men appear here. Closed to market you can visit Puri Lukisan (Museum of Paintings). Established in 1954, it is dedicated to showing the works of local painters. It is the excellent place to get an overview of the stylistic differences between artists.
Ubud is a picturesque township and visitors have been attracted by its charm and beauty for decades. If shopping is your interest, Ubud has a myriad of shops which line the road to Monkey Forest and the Museum Puri Lukisan. Don’t forget to bargain!!! If art is your interest, in Ubud, Mas and Peliatan, one can study dance, music, painting or a number of other art forms. The best way to meet a teacher is to find a style that appeal to you (by going to galleries and watching performances) and than approach the artist directly about lessons.
So Ubud has many attractive objects can be seen for your Bali Vacation. And do not hesitate to choose beautiful Bali for your holiday. Bali is a small, beautiful island in Indonesia, the ultimate tourist destination in Asia.
Tirta Gangga
Tirta Gangga is situated at Ababi village, Abang District. It is about 83 km from Denpasar and 6 km from Amlapura to the north.
Tirta Gangga water garden was built in 1948 by the King of Karangasem, Anak Agung Anglurah Ketut Karangasem. This water garden was constructed in a very unique architecture of Balinese and Chinese styles.
Tirta Gangga Water Garden scratches on a 1,2 Hectare area, which consists of three complexes. The first complex lies on the lowest level of this area, where we can find two ponds and a water tower. The second complex in the middle level is the location where we can find swimming pools; while in the third part, which is the main complex, we can find the rest house of the King.
Before the construction of the water garden, there was a big spring water in this area. Therefore people surrounding the area called this place "embukan" which means spring water.
The spring water was then functioned to fulfil the people's need of water and also for the "purification" of the Gods (Ida Betara). For this case, the spring water is recognised to be holy and sacred.
The religious to construct this tranquil water garden for his rest house and also for the people's function and the cool climate of this area, plus the fascinating view around, inspired the kingleisure and pleasure.
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Tirta Gangga water garden was built in 1948 by the King of Karangasem, Anak Agung Anglurah Ketut Karangasem. This water garden was constructed in a very unique architecture of Balinese and Chinese styles.
Tirta Gangga Water Garden scratches on a 1,2 Hectare area, which consists of three complexes. The first complex lies on the lowest level of this area, where we can find two ponds and a water tower. The second complex in the middle level is the location where we can find swimming pools; while in the third part, which is the main complex, we can find the rest house of the King.
Before the construction of the water garden, there was a big spring water in this area. Therefore people surrounding the area called this place "embukan" which means spring water.
The spring water was then functioned to fulfil the people's need of water and also for the "purification" of the Gods (Ida Betara). For this case, the spring water is recognised to be holy and sacred.
The religious to construct this tranquil water garden for his rest house and also for the people's function and the cool climate of this area, plus the fascinating view around, inspired the kingleisure and pleasure.
Dreamland Beach
Forget in moment Kuta, Sanur, and or Nusa Dua. Enjoying Bali only by sand sunning in the coasts not be prestigious anymore. Nowadays, time for you enjoying more challenging exotic and exclusive vacation. Because the coasts only known by a few tourists. The information even also by mouth to mouth. You will not find in reference or travel. Even so maybe its not too much and can be calculated by finger.
Dreamland is on the south side of Bali, about 30 to 40 minute
s from Kuta. There are 2 alternative ways to go to Dreamland. You can either go through the Jimbaran Bay area or pass through the Dwipayana University (a well-known public university in Bali); both ways are easy to follow. If you do get lost, ask for directions to Garuda Wisnu Kencana (GWK). It’s a famous cultural park located in Bukit Unggasan, Jimbaran. Here you can find a 75 meter-high and 60-meter wide figure of god Visnu, one of the Trimurti symbols in Hinduism. The status is made by I Nyoman Nuarta, and is now still unfinished. When it is done, it will be taller than the Statue of Liberty in New York!
About 15 minutes from GWK, you will find a big statue of Garuda (the symbol of Indonesia), on the right side of the road. That means you’re just a stone throw’s away from Dreamland Beach. Dreamland Beach is located on a big-deserted property, a failed Pecatu Graha development. You will probably have to pay about Rp 5000 for the entry. When you get to the end of the road, you will be on top of a cliff, with the big blue ocean’s sky in front of you. Look down! That’s Dreamland Beach…
You have to walk a little then down a path of stairs to reach the beach.. Once on the sand, you will find rented umbrellas and beach benches facing the beach. You can also order food and drinks from the local traditional cafés available all around the beach. The cafes might seem common and usual, but many of them actually serve European dishes which is out of the ordinary for this setting. Planning to spend the night? Some of the local cafes offer humble accommodations at a reasonable price (ranged between Rp 50,000 to Rp 200,000 per night). In the evening, enjoy the sunset whilst several tourists build a campfire on the beach, or just play a light game of beach ball. As for me, I prefer swimming offshore and enjoy the sunset from there.
There are not many activities to be done here at night. The electricity is turned off after 10 pm and thus candles are lit to chase away the deep darkness of the night. After having dinner, the best thing you can do is to read a book or have a draft of cold beer. Otherwise, you can go upstairs to where most of the rooms are and enjoy the scenery. The moon’s reflection dancing in a flurry of lights on the ocean’s surface is simply breathtaking. During the peak season (July and December), some of the rooms on this floor will be more packed so at least you are not alone and will have company to chat with along with your own group of friends. It is always interesting meeting other travelers and sharing experiences. When you finally feel like sleeping, go back to your room and snuggle under the blanket. The lullaby of tides breaking on the shore is such a peaceful sound to sleep to. Being in Dreamland is like being in a dream you wish you will never wake up from.
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s from Kuta. There are 2 alternative ways to go to Dreamland. You can either go through the Jimbaran Bay area or pass through the Dwipayana University (a well-known public university in Bali); both ways are easy to follow. If you do get lost, ask for directions to Garuda Wisnu Kencana (GWK). It’s a famous cultural park located in Bukit Unggasan, Jimbaran. Here you can find a 75 meter-high and 60-meter wide figure of god Visnu, one of the Trimurti symbols in Hinduism. The status is made by I Nyoman Nuarta, and is now still unfinished. When it is done, it will be taller than the Statue of Liberty in New York!About 15 minutes from GWK, you will find a big statue of Garuda (the symbol of Indonesia), on the right side of the road. That means you’re just a stone throw’s away from Dreamland Beach. Dreamland Beach is located on a big-deserted property, a failed Pecatu Graha development. You will probably have to pay about Rp 5000 for the entry. When you get to the end of the road, you will be on top of a cliff, with the big blue ocean’s sky in front of you. Look down! That’s Dreamland Beach…
You have to walk a little then down a path of stairs to reach the beach.. Once on the sand, you will find rented umbrellas and beach benches facing the beach. You can also order food and drinks from the local traditional cafés available all around the beach. The cafes might seem common and usual, but many of them actually serve European dishes which is out of the ordinary for this setting. Planning to spend the night? Some of the local cafes offer humble accommodations at a reasonable price (ranged between Rp 50,000 to Rp 200,000 per night). In the evening, enjoy the sunset whilst several tourists build a campfire on the beach, or just play a light game of beach ball. As for me, I prefer swimming offshore and enjoy the sunset from there.
There are not many activities to be done here at night. The electricity is turned off after 10 pm and thus candles are lit to chase away the deep darkness of the night. After having dinner, the best thing you can do is to read a book or have a draft of cold beer. Otherwise, you can go upstairs to where most of the rooms are and enjoy the scenery. The moon’s reflection dancing in a flurry of lights on the ocean’s surface is simply breathtaking. During the peak season (July and December), some of the rooms on this floor will be more packed so at least you are not alone and will have company to chat with along with your own group of friends. It is always interesting meeting other travelers and sharing experiences. When you finally feel like sleeping, go back to your room and snuggle under the blanket. The lullaby of tides breaking on the shore is such a peaceful sound to sleep to. Being in Dreamland is like being in a dream you wish you will never wake up from.
Mesaba, Subak's Ritual as Manifestation of Farmer's Thanks Giving
The Hindu community in Bali continually pays tribute for the proceeds of what they have undertaken. No matter its proceeds are sizable or bijou, they stay to hold ritual activity as the expression of their gratitude to the Creator. Such gratitude is frequently embodied through yajna (holy sacrifice), a presentation to the Almighty God for all of his endowment.
Similarly, the tradition is carried out ny farmers. When the rice has turned yellow or some days by the harvest time, farmers in Tabanan hold the mesaba ritual as an utterance of thanks to god in his manifestation of Goddess Sri. Mesaba ritual transpires at daytime at Bedugul, a subak temple that habitually located in the upstream of rice field territory. By and large, mesaba is held once in three months or in accordance with the age of paddy planted.
When the mesaba ritual is performed, the ambiance of subak(Balinese traditional irrigation cooperative) looks so effervescent. The subak temple is fetooned with fabric and other traditional accessories. On the entrance gate, a pair of penjor poles are installed and furnished with its ornamental paraphernalia. And farmers also install penjor of small size at their own rice field. It is equipped with sanggah cucuk (bamboo shrine) used to offerings and erected close to the temuku or water divider. Facial expression of farmers looks remarkably exuberant as the harvest is coming soon, where they would reap the fruit of their hard work within the last three months.
Prior to the performing the ritual, the subak members make roasted suckling pig and lawar dishes. These traditional activities are mainly executed in the morning at the courtyard of the Bedugul, the house of subak head or other place determined. Each farmer is only obliged to bring a coconut, bunch of banana leaf and string of firewood. Afterwards, they work together in mutual assistance enthusiatically and in familial atmosphere.
Other than preparing the roasted pig, they also arrange dishes like lawar, salad of star fruit leaf and ritual ingredients required. Remainder of the meat is then distruted to each subak members justly and then brought home to make a small fetivity with the family.
At noon, the mesaba ritual is commenced. Roasted pig and other ritual ingredients are presented at the Bedugul. The subak members, particularly women, then present their canang oblation and at their rice field. It is many time chaired by a temple priest. Having worshipped, the subak member return home and bring along with them a small portion of such roasted pig.
Get interested to learn more about this? Simply come to the subak at Tegaljadi and Tunjuk Village, Marga, Tabanan. There, the mesaba ritual takes a place joyously and solemnly with an accompaniment of dynamic gong kebyar gamelan composition.
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Similarly, the tradition is carried out ny farmers. When the rice has turned yellow or some days by the harvest time, farmers in Tabanan hold the mesaba ritual as an utterance of thanks to god in his manifestation of Goddess Sri. Mesaba ritual transpires at daytime at Bedugul, a subak temple that habitually located in the upstream of rice field territory. By and large, mesaba is held once in three months or in accordance with the age of paddy planted.
When the mesaba ritual is performed, the ambiance of subak(Balinese traditional irrigation cooperative) looks so effervescent. The subak temple is fetooned with fabric and other traditional accessories. On the entrance gate, a pair of penjor poles are installed and furnished with its ornamental paraphernalia. And farmers also install penjor of small size at their own rice field. It is equipped with sanggah cucuk (bamboo shrine) used to offerings and erected close to the temuku or water divider. Facial expression of farmers looks remarkably exuberant as the harvest is coming soon, where they would reap the fruit of their hard work within the last three months.
Prior to the performing the ritual, the subak members make roasted suckling pig and lawar dishes. These traditional activities are mainly executed in the morning at the courtyard of the Bedugul, the house of subak head or other place determined. Each farmer is only obliged to bring a coconut, bunch of banana leaf and string of firewood. Afterwards, they work together in mutual assistance enthusiatically and in familial atmosphere.
Other than preparing the roasted pig, they also arrange dishes like lawar, salad of star fruit leaf and ritual ingredients required. Remainder of the meat is then distruted to each subak members justly and then brought home to make a small fetivity with the family.
At noon, the mesaba ritual is commenced. Roasted pig and other ritual ingredients are presented at the Bedugul. The subak members, particularly women, then present their canang oblation and at their rice field. It is many time chaired by a temple priest. Having worshipped, the subak member return home and bring along with them a small portion of such roasted pig.
Get interested to learn more about this? Simply come to the subak at Tegaljadi and Tunjuk Village, Marga, Tabanan. There, the mesaba ritual takes a place joyously and solemnly with an accompaniment of dynamic gong kebyar gamelan composition.
Purnama (Full Moon)
Purnama or full moon is an auspicious day to Balinese people. Many important Hindu rituals fall upon or are held at this time. The day is believed to bring happiness both socially and spiritually. The significance of purnama, however has changed over recent times.
In the past, say four or five decades ago, purnama had more meaning for romantic things, while its ritual dimension was rather insignificant. Between the1950s and 1970s, purnama was the day that teenagers were always very much looking forward to. On the purnama day, they enjoyed the brightness of the night by going to the beach. Teenagers in Denpasar, for example, went to Sanur beach to enjoy the beauty of the full moon. Many people also swam at the beach that night. They believed that by swimming at the beach on purnama day, they were not just cleaning their bodies but also their minds.
Because the transport facilities before the 1970s was not as modern as nowadays, Denpasar inhabitants went to Sanur by bicycle. Limited street lighting on the road was not an obstacle to their travelling by bicycle because the moon poured its shining light on the road. One after another bicycle usually went to Sanur on the night of purnama. The light of the moon not only eased the ride but also accentuated the romance of their journey.
On the purnama night, Sanur beach was packed with people, usually until midnight, when most of the visitors went home. People avoided hanging around at the beach until late at night because of the magical images of the area. Besides going to Sanur at purnama, teenagers also liked to go to the cinema. New releases of films were often shown for the first time at purnama so as to be able to attract a bigger audience. Sanur beach and the cinema were among the few places available for recreation at that time.
Going to Sanur for teenagers also let them see the 'splendour' of the first and only ten storeyed building in Bali; The Grand Bali Beach Hotel located on Sanur beach. This hotel was the most attractive object for local people to see during holidays such as Galungan and Kuningan or New Year.
Nowadays, purnama in Sanur is still beautiful, but people do not need to wait to come to the beach on that day. People can come to Sanur every day if they like. Purnama and Sanur no longer have a strong connection. The tall building on Sanur beach, which used to be considered so splendid, has now lost its attractiveness. Also, the number of places for recreation has increased; now it is mainly malls and cafes where teenagers like to hang around at the week end.
The romantic dimension of the full moon has become less celebrated by teenagers nowadays. Changes have taken place, marked by more spiritual activities, held on purnama day. On the night of purnama, young people around the town of Denpasar prefer to put on their Balinese attire and go to pray at the temple Jagatnatha, located in the front of Puputan Badung Park. The praying itself does not take long. Some people like to stay up late in the temple or doing what they called makemit, praying and establishing peace of mind but others like to hang around the temple and the Puputan Badung Park until late night. During the purnama night, the park is packed with people, a scene that did not exist three decades or so ago. Those who come to Jagatnatha temple are mostly young people, including school students. On purnama day, students of high schools in Denpasar go to school after hours to pray at their school temple. Some stay there until late at night, while others go to Jagatnatha temple to pray again.
The spiritual dimension of purnama has been very strong recently. Every purnama, many primary and secondary school students in Denpasar, and in other regions throughout Bali, come to school without uniform but wearing traditional Balinese attire. They pray at school together before the classes start. Non-Balinese kids may wear Balinese attire if they wish, although they do not have to.
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In the past, say four or five decades ago, purnama had more meaning for romantic things, while its ritual dimension was rather insignificant. Between the1950s and 1970s, purnama was the day that teenagers were always very much looking forward to. On the purnama day, they enjoyed the brightness of the night by going to the beach. Teenagers in Denpasar, for example, went to Sanur beach to enjoy the beauty of the full moon. Many people also swam at the beach that night. They believed that by swimming at the beach on purnama day, they were not just cleaning their bodies but also their minds.
Because the transport facilities before the 1970s was not as modern as nowadays, Denpasar inhabitants went to Sanur by bicycle. Limited street lighting on the road was not an obstacle to their travelling by bicycle because the moon poured its shining light on the road. One after another bicycle usually went to Sanur on the night of purnama. The light of the moon not only eased the ride but also accentuated the romance of their journey.
On the purnama night, Sanur beach was packed with people, usually until midnight, when most of the visitors went home. People avoided hanging around at the beach until late at night because of the magical images of the area. Besides going to Sanur at purnama, teenagers also liked to go to the cinema. New releases of films were often shown for the first time at purnama so as to be able to attract a bigger audience. Sanur beach and the cinema were among the few places available for recreation at that time.
Going to Sanur for teenagers also let them see the 'splendour' of the first and only ten storeyed building in Bali; The Grand Bali Beach Hotel located on Sanur beach. This hotel was the most attractive object for local people to see during holidays such as Galungan and Kuningan or New Year.
Nowadays, purnama in Sanur is still beautiful, but people do not need to wait to come to the beach on that day. People can come to Sanur every day if they like. Purnama and Sanur no longer have a strong connection. The tall building on Sanur beach, which used to be considered so splendid, has now lost its attractiveness. Also, the number of places for recreation has increased; now it is mainly malls and cafes where teenagers like to hang around at the week end.
The romantic dimension of the full moon has become less celebrated by teenagers nowadays. Changes have taken place, marked by more spiritual activities, held on purnama day. On the night of purnama, young people around the town of Denpasar prefer to put on their Balinese attire and go to pray at the temple Jagatnatha, located in the front of Puputan Badung Park. The praying itself does not take long. Some people like to stay up late in the temple or doing what they called makemit, praying and establishing peace of mind but others like to hang around the temple and the Puputan Badung Park until late night. During the purnama night, the park is packed with people, a scene that did not exist three decades or so ago. Those who come to Jagatnatha temple are mostly young people, including school students. On purnama day, students of high schools in Denpasar go to school after hours to pray at their school temple. Some stay there until late at night, while others go to Jagatnatha temple to pray again.
The spiritual dimension of purnama has been very strong recently. Every purnama, many primary and secondary school students in Denpasar, and in other regions throughout Bali, come to school without uniform but wearing traditional Balinese attire. They pray at school together before the classes start. Non-Balinese kids may wear Balinese attire if they wish, although they do not have to.
Bali Safari and Marine Park
Bali Safari and Marine Park is established by Taman Safari Indonesia who operate a successful safari park in Bogor, West Java, the Bali facility is lauded as the Company’s flagship park and will eventually employ a workforce of 400 charged with caring for the animals and serving the thousands of visitors expected to visit Bali Safari each day.
Designed by a leading U.S. zoo architect, guests will board special safari busses for drives passing through different areas of the park serving as home to a number of animals, including: rare white Bengali tigers, Sumatran tigers, hippopotami, lions, zebras, elephants, wildebeest, camels, alligators, bears and sundry primates – all roaming in large, near-natural settings.
Reached by the near Professor I.B, Mantra highway, the park is located on Lebih Beach, just minutes from Sanur.
Facilities
Bali Safari and Marine Park has many
facilities, including:
•Animals in natural surroundings.
•The exciting recreation area.
•Fun Zone.
•The amazing Bali Theatre.
•Cottages and Bungalows.
•Varied and delicious foods at the beautiful scenic restaurants.
Come and have a one-of-a-kind experience with a Balinese cultural influence, supported by the warm hospitality of the island’s people.
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Designed by a leading U.S. zoo architect, guests will board special safari busses for drives passing through different areas of the park serving as home to a number of animals, including: rare white Bengali tigers, Sumatran tigers, hippopotami, lions, zebras, elephants, wildebeest, camels, alligators, bears and sundry primates – all roaming in large, near-natural settings.
Reached by the near Professor I.B, Mantra highway, the park is located on Lebih Beach, just minutes from Sanur.
Facilities
Bali Safari and Marine Park has many
facilities, including:
•Animals in natural surroundings.
•The exciting recreation area.
•Fun Zone.
•The amazing Bali Theatre.
•Cottages and Bungalows.
•Varied and delicious foods at the beautiful scenic restaurants.
Come and have a one-of-a-kind experience with a Balinese cultural influence, supported by the warm hospitality of the island’s people.
Gitgit Waterfall
Gitgit Waterfall is representing is a beautiful tourist destination in north of Bali. Gitgit waterfall is located in the plateau with the height about 35 meters and surrounded by tropical tree and emits the water naturally with the constant debit during the year. Waterfall voice around the charming nature was amazing and represents the separate attraction and can be enjoyed by each visitor who comes to visit. The admiration from nature condition has made imagination and in mind perspective to join with the nature highness. Around the waterfall there are some plantation and protected forest. At this area also often met the wild monkey which wants to get the water from this waterfall.
This tourist destination become unique and full of dance energy because its nature charming, is formed by green as fresh as crop, thundering plunging of water, the clear water irrigate in between the stone and also once in a while alternated by the bird chirp, so that very ideal to take a bath, to bathing in natural open country. Free view to drainage basin, depicting natural corridor which formed by several plantation, amethyst carpet so that create the separate path image from its existence. Gitgit Waterfall location is located in Gitgit countryside, Sukasada sub district, at distance of about 10 Km from Singaraja Town or about 70 Km from Denpasar, at height about 300 meters of above sea level. T his tourist place represents one attainment area by monument of hero struggle of Bhuwana Pangkung Bangka. This Monument is extant monument and idol of people struggle action against the Dutch colonization. This monument located in Gitgit countryside and Sukasada sub district, at distance about 17 Km from Singaraja Town, its location flanked by steep hill bank and precipitous crevasse. The crevasse is precipitous referred as Pangkung Bangka. Its area located at the height about 600 meters. In left and right can be met the coffee garden or fertile clove. The facilities in the places of interest like Gitgit Waterfall is consisted of the parking area, restaurant and art shop to sell the souvenir. It is not far from the waterfall place there is a place take a rest at the same time enjoy the beauty plantation view, the rice terrace and Buleleng Beach. Visit to this tourist object can be done at all day long from morning until afternoon by both for local society, local tourist and also foreign tourist countries.
Places to visit in north of Bali, Surrounding area of Gitgit WaterfallFrom roadway to the Gitgit waterfall, all visitors will be invited to walk at roadway go to the waterfall represent the road omission in Dutch era. In year 1975 this object animate as tourist destination in north of Bali. As known that Bali island nature is separated by mountain and hill located in the middle of Bali Island. At first position in the height area to Singaraja which is first met the Gitgit countryside, so can be said the tourist destination of Gitgit Waterfall represents the gateway to other places of interest in Singaraja north of Bali.
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This tourist destination become unique and full of dance energy because its nature charming, is formed by green as fresh as crop, thundering plunging of water, the clear water irrigate in between the stone and also once in a while alternated by the bird chirp, so that very ideal to take a bath, to bathing in natural open country. Free view to drainage basin, depicting natural corridor which formed by several plantation, amethyst carpet so that create the separate path image from its existence. Gitgit Waterfall location is located in Gitgit countryside, Sukasada sub district, at distance of about 10 Km from Singaraja Town or about 70 Km from Denpasar, at height about 300 meters of above sea level. T his tourist place represents one attainment area by monument of hero struggle of Bhuwana Pangkung Bangka. This Monument is extant monument and idol of people struggle action against the Dutch colonization. This monument located in Gitgit countryside and Sukasada sub district, at distance about 17 Km from Singaraja Town, its location flanked by steep hill bank and precipitous crevasse. The crevasse is precipitous referred as Pangkung Bangka. Its area located at the height about 600 meters. In left and right can be met the coffee garden or fertile clove. The facilities in the places of interest like Gitgit Waterfall is consisted of the parking area, restaurant and art shop to sell the souvenir. It is not far from the waterfall place there is a place take a rest at the same time enjoy the beauty plantation view, the rice terrace and Buleleng Beach. Visit to this tourist object can be done at all day long from morning until afternoon by both for local society, local tourist and also foreign tourist countries.
Places to visit in north of Bali, Surrounding area of Gitgit WaterfallFrom roadway to the Gitgit waterfall, all visitors will be invited to walk at roadway go to the waterfall represent the road omission in Dutch era. In year 1975 this object animate as tourist destination in north of Bali. As known that Bali island nature is separated by mountain and hill located in the middle of Bali Island. At first position in the height area to Singaraja which is first met the Gitgit countryside, so can be said the tourist destination of Gitgit Waterfall represents the gateway to other places of interest in Singaraja north of Bali.
Sun Rise Trekking to Mount Batur and Mount Agung
Trekking to the sacred mountains, watching the spectacular sun rise is an unforgettable ways of experiencing holidays in Bali. Start early in the morning to ensure you are at the top at the right time for sun rise. Enjoy the great views of the whole island from the top while enjoying your breakfast.
Here area bit of stories about these trekkings:
Trekking Mount Batur:
Mount Batur, a three-crater volcanic mountain , is 1717 meters high. Your journey is started below Mount Batur near Lake Batur at a Hindu temple called Jati temple. You will arrive at the first crater (the highest) by the sun rise. While watching the sun rise, we will serve the breakfast (steamed eggs, banana and bread). Next, you will go the explore the second craters which lastly erupted in 1963. The last crater, the lowest, will be your final stop. The third crater occasionally has smokes or hotspots and colorful beautiful stones. You will go back through a challenging trails among rocky black lava stones to the starting point at Jati temple.
Trekking Mount Agung:
Trekking start at Besakih temple, (the mother temple Bali) and next continued to the Pasar Agung temple. You will arrive by the sun rise. What can you see from the top of Mount Agung? You can see almost the whole Bali island around you. And if you face east you will Mount Rinjani which located at Lombok island, to the west you will see Mount Batur and Mount Abang. You can enjoy the all the great views as well as enjoying breakfast here.
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Here area bit of stories about these trekkings:
Trekking Mount Batur:
Mount Batur, a three-crater volcanic mountain , is 1717 meters high. Your journey is started below Mount Batur near Lake Batur at a Hindu temple called Jati temple. You will arrive at the first crater (the highest) by the sun rise. While watching the sun rise, we will serve the breakfast (steamed eggs, banana and bread). Next, you will go the explore the second craters which lastly erupted in 1963. The last crater, the lowest, will be your final stop. The third crater occasionally has smokes or hotspots and colorful beautiful stones. You will go back through a challenging trails among rocky black lava stones to the starting point at Jati temple.
Trekking Mount Agung:
Trekking start at Besakih temple, (the mother temple Bali) and next continued to the Pasar Agung temple. You will arrive by the sun rise. What can you see from the top of Mount Agung? You can see almost the whole Bali island around you. And if you face east you will Mount Rinjani which located at Lombok island, to the west you will see Mount Batur and Mount Abang. You can enjoy the all the great views as well as enjoying breakfast here.
Calon Arang Dance
It can be the enchanting hour the first night of full moon, when the long shades drew aside like phantoms on the ground, that crowd of village meets around a release close to the temple of deaths to observe the drama of Calon Arang, the widow-witch of Girah. Each Balinese knows the legend of Rangda like CaIon Arang, a favourite in the local folklore.
A long ago, when Airlangga was a king, there lived a widow, Calon Arang, which gave rise to a child in the jungle. The child developed until is the sea famous Ratna Menggali. The girl of line wanted by Calon Arang to marry a fromairiangga' spalace of prince, but despite her beauty, no prince came. Angered by this, the widow learned art from the black magic and practised against the kingdom, making die much people.
When Airiangga intended to speak about the epidemic in Girah, it consulted its high priest, Mpu Bharadah. The priest sent his son to ask for the hand of Ratna Menggali. Calon Arang was satisfied by the offer. The plague dropped, and the couples wed. Calon Arang had in its possession a lontar (palmleaf delivers) black magic lesson. His/her son one day found and gave to his/her father, who then deciphered the formulas with the secret powers of the widow. When Calon Arang discovered the Mpu Bharadah had learned its secrecies, it was exasperated and declared the war on him. The priest did not have any choice but to fight and, in a fight mortal of sorcery, destroyed the widow by moulding a charm. Before she died, Calon Arang required the remission. The Mpu Bharadah freed from the contracts and the way to him towards the sky.
The history showed has many variations, and no two plays of Calon Arang are exactly identical. Primarily, the play is a drama of the magic which is used as powerful exorcism of the bad spirits aligned with the Rangda witch-queen. By dramatizing Calonarang as powers her magical height of at the of Rangda, one hopes it that the execution will gain the favour of the witch and will alleviate her appetite for the destruction.
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A long ago, when Airlangga was a king, there lived a widow, Calon Arang, which gave rise to a child in the jungle. The child developed until is the sea famous Ratna Menggali. The girl of line wanted by Calon Arang to marry a fromairiangga' spalace of prince, but despite her beauty, no prince came. Angered by this, the widow learned art from the black magic and practised against the kingdom, making die much people.
When Airiangga intended to speak about the epidemic in Girah, it consulted its high priest, Mpu Bharadah. The priest sent his son to ask for the hand of Ratna Menggali. Calon Arang was satisfied by the offer. The plague dropped, and the couples wed. Calon Arang had in its possession a lontar (palmleaf delivers) black magic lesson. His/her son one day found and gave to his/her father, who then deciphered the formulas with the secret powers of the widow. When Calon Arang discovered the Mpu Bharadah had learned its secrecies, it was exasperated and declared the war on him. The priest did not have any choice but to fight and, in a fight mortal of sorcery, destroyed the widow by moulding a charm. Before she died, Calon Arang required the remission. The Mpu Bharadah freed from the contracts and the way to him towards the sky.
The history showed has many variations, and no two plays of Calon Arang are exactly identical. Primarily, the play is a drama of the magic which is used as powerful exorcism of the bad spirits aligned with the Rangda witch-queen. By dramatizing Calonarang as powers her magical height of at the of Rangda, one hopes it that the execution will gain the favour of the witch and will alleviate her appetite for the destruction.
Tanah Lot
Tanah Lot, one of the most popular places of interest in Bali, and one of the place which being “place to go” by tourist for they vacation.
Tanah Lot is located about 12 kilometers from Tabanan City and 20 kilometers from Denpasar.
The area comprises a wondrous mixture of natural beauty and sheer human effort. Here lies an idyllic white sand beach with crashing waves, complemented by a small yet majestic temple.
This temple, known as Pura Tanah Lot, juts out to sea on a rocky background. he temple stands on the top of a huge rock, surrounded by the sea and is one of Bali's most important sea temples.
Tanah Lot pays homage to the guardian spirits of the sea. Ancient rituals pay homage to the guardian spirits of the sea. Poisonous sea snakes found in the caves at the base of the rocky island are believed to be guardians of the temple, standing Virgil against evil spirits and intruders.
At the base of the rocky island are poisonous sea snakes believed to guard the temple from evil spirits and intruders. The best time to see Tanah Lot is in the late afternoon when the temple is in silhouette.
Tanah Lot attracts throngs of both locals and tourists daily. Most come here longing to catch a glimpse of the romantic Tanah Lot sunsets, a regular occurrence during the dry season (April to November).
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Tanah Lot is located about 12 kilometers from Tabanan City and 20 kilometers from Denpasar.
The area comprises a wondrous mixture of natural beauty and sheer human effort. Here lies an idyllic white sand beach with crashing waves, complemented by a small yet majestic temple.
This temple, known as Pura Tanah Lot, juts out to sea on a rocky background. he temple stands on the top of a huge rock, surrounded by the sea and is one of Bali's most important sea temples.
Tanah Lot pays homage to the guardian spirits of the sea. Ancient rituals pay homage to the guardian spirits of the sea. Poisonous sea snakes found in the caves at the base of the rocky island are believed to be guardians of the temple, standing Virgil against evil spirits and intruders.
At the base of the rocky island are poisonous sea snakes believed to guard the temple from evil spirits and intruders. The best time to see Tanah Lot is in the late afternoon when the temple is in silhouette.
Tanah Lot attracts throngs of both locals and tourists daily. Most come here longing to catch a glimpse of the romantic Tanah Lot sunsets, a regular occurrence during the dry season (April to November).
